Maranges

At the Grands Jours de Bourgogne wine exhibition that is held every two years in Burgundy, vignerons and producers gather and pour out delicious tasting portions of wine all day at their booths. Many wine professionals can be found tasting Cote d’Or where many of Burgundy’s Grand Cru wines come from.

Whilst Grand Crus represent the best, their prices are also commensurate. In a quest to seek out good value Burgundy, I turned to the lesser-known appellations. And this was how I came to discover the Maranges.

Domaine Sorine et Fils is best known for Santennay wines, from most southerly wine-producing commune of the Cote de Beaune (within Cote d’Or) and the wines are noted for good fruit flavours and good tannic structure. It was after tasting the domaine’s Santennay 1er Cru Beaurepaire that I was asked by Mr. Sorine, “Do you know Maranges?”  A shake of my head resulted in a pouring of a wine called Maranges 1er Cru ‘Clos Roussot’. It had a soft silky texture, tasty light acids and was quite delicious. I wondered why I had not heard of this wine. Mr. Sorine explained that the Maranges that lies next to the Cote d’Or, is the youngest appellation in Burgundy and only had received its appellation status in 1989.

At the next booth, I met Mr Pablo Chevrot of Domaine Chevrot who must have overheard my questions and he shared a bit more. ‘Did you know that before Marange became an appellation, negociants had used Marange wines to add depth and complexity to their blends of Cote de Beaune-villages? It’s because the Maranges wines offer a miscellany of tastes.” Three Chevrot wines lay in front of me.  The first, a Maranges 2008 ‘Sol de Chene’ was delightful with bright raspberry fruit and soft acidity.  The next wine I lifted to my lips was a Marange 1er Cru, ‘Les Clos Roussots’ 2008. It proved to be elegant with mixed red fruits, herbs, mocha and mint overtones. Finally, a Maranges 1er Cru, ‘Le Croix Moins’ turned out to be complex with star anise, cinnamon, mixed spices, herbs and sweet fruit. I never expected to encounter so many different versions of a wine.  Mr. Chevrot explained that the 170 hectares of Maranges vines are planted on various soils and it is these soils that contribute to varied tastes – call it terroir. Chevrot’s three wines certainly attest to this. I learned that the first wine was made from grapes grown on gravel soils; the second wine came from fruit grown on limestone soils and third wine’s spicy character is due to deep soils containing silica.

At the booth of Domaine Maurice Charleux et Fils, I was revelling in wines from old vines and this confirmed rumours that another secret of the Maranges – many vines still contain old vines. Domaine Maurice Charleux et Fils’ Vieilles Vignes (old vine) Maranges was showing a complex mix of red fruits, spice and soft acids. The big surprise was a white Marange 2008 – with white stone fruit aromas and soft acids. According to the producer, less than 5% of the wines of the Maranges are white. Then I got to taste a 1er Cru Marange called ‘Fussieres’ – This white wine, made from only 3 year old vines was so rich full and complex with sweet ginger and nutmeg overtones that it could have passed off for a Grand Cru wine.

Intrigued, I took a drive to the Maranges.

As I headed west from Santenay, the ‘Golden Slope’ or Cote d’Or seemed to end just as I went around the hill.  The traffic thinned out and the landscape changed quite dramatically. A medieval castle, the Chateau de Couches came to view. Vines were not to be seen for a stretch of road; instead small groups of cows were spotted grazing here and there on green swathes of land. The road gradually became hilly and then as we turned another corner, I spotted quaint villages dotted on the crests of small hills. Incredibly, the sun emerged from behind the clouds and illuminated vineyards yonder.

And then it occurred to me, the Maranges is not only one of the most pretty of vineyards in Burgundy – there are lovely, affordable wines to be had here.

More about the Maranges

The Maranges lies between Burgundy’s two major sub regions – the Cote d’Or and the Cote Chalonnaise.

Until the appellation came about the wine producing villages were called Cheilly-les-Maranges, Dezize-les-Maranges and Sampigny-les-Maranges. Dezize-lès-Maranges is the one located highest up on the slope. Today, the whole area is simply known as the Maranges.

There are nine premier crus, of which some are shared between the villages. They are

Les Clos Roussots, La Fussière, and Clos de la Boutière, La Fussière in the Cheilly-les-Maranges village;  La Fussière, Clos de la Fussière, and La Croix aux Moines in the Dezize-les-Maranges village; and  Les Clos Roussots, Le Clos des Rois, and Le Clos des Loyères in the Sampigny-les-Maranges village.

About 33 produces make Maranges wines. Many of the Maranges best wines are made from grapes grown on soils containing a relatively high content of limestone and clay not too much different from the Cote d’Or escarpment. Hence the Maranges wines at times are reminiscent of the Cote d’Or wines but prices mean they reflect excellent value.

In Maranges, expect to find rich, full-bodied wines brimming with red fruit; dark and robust chewy wines with black and red fruit as well as complex and elegant wines. There are also citrus fruity soft whites with a hint of tangy acidity as well as the textured, complex and full white wines.

Burgundy Vintage Report 2007/2008

It’s never too late to report on a vintage. In most times its best to report after the wines have been bottled, rather than earlier, when the wines are in the barrel. Pronouncements about the 2007 and 2008 vintages of Burgundy during spring or summer had to be modified since the weather and climate changed and shaped the quality and quantity of the fruit during the growing season and harvest. Here is a selection of tasting notes on the most memorable wines that I tasted in November 2009 when I attended the Beaune wine auction and in March 2010 at the Grands Jours Exhibition.

They demonstrate that 2007 is a lovely vintage. Reds are approachable and if tannins are not hefty, the wines are sophisticated and textured and make for delicious drinking. Whites are pure, exquisitely balanced and are starting to drink very well indeed.

As for the 2008 vintage, it has been said to be one the best vintages for Chablis of the last 25 years – wines have all the qualities of intensity, minerality, balance, and liveliness. For Burgundy as a whole, excellent reds and whites mark the 2008 vintage.

The 2007 Vintage
It began with a mild winter. Next, some unusual warmth in March and what followed was more heat in April. The result of a little too much warmth and sunshine accelerated all things natural. Buds burst out and flowering got under way. Growers were sure they were heading for a hot year, maybe a heatwave like in 2003. Everything pointed towards an early harvest in mid-August, and it was likely that New Worldly fruit driven wines would be made. Then unexpectedly, came some cooler months, with rain. Ironically, growers started worrying again, this time about ripening. But in the end, came some warmer days in August and September. Growers breathed a sigh of relief, reciting the oft bandied phrase, “Dieu est un Bourguignon” (God is indeed a Burgundian). Growers that sorted their grapes ended up with a good normal sized harvest of Pinot Noirs with good aromas and Chardonnays with a nice acid backbone. Some of the best reds are multidimensional. Whites have been admired for their precise presentation with good tension.

Red
Dujac, Morey St. Denis, 1er Cru – Truffles, prunes and red fruit, elegantly presented. Fine and silky tannins, a light and approachable wine that will continue to improve.

Comte Armand, Pommard, 1er Cru, “Clos des Epeneaux” – Red fruit, hint of raspberries and spice, sticky tannins and lovely finish.

Camille Giroud, Vosne-Romanée, 1er Cru – Lots of tannins and good acid structure, still quite closed but with some spicy notes revealed. A keeper.

Frédéric Magnien, Charmes-Chambertin, Grand Cru – Perfumed nose, full broad in the mouth with soft silky tannin.

White
Jacques Prieur Meursault, 1er Cru “Les Perrieres”– Stone fruits, minerals, honey, butter, soft yet with supporting acids. Rich and fruity yet floral also. Long.

Pierre Morey, Meursault – Vanilla, white fruits and incredibly balanced. Elegant, soft, round and hint of honey.

Sebastien Magnien, Meursault, 1er Cru, “Les Meix Chavaux” – White fruits, generous, round, fresh and sprightly acidity, silky finish.

Bret Brothers, La Soufrandière, Pouilly-Vinzelles, Climat les Quarts – Smooth rich yet elegant wine with tasty acids and a very long tail.

Vincent Dureuil-Janthial, Rully Blanc, ‘Maizieres’ – Lovely crisp presentation with minerals and citrus.

The 2008 Vintage
Spring came off with a good start. It was warm and by mid May, vines were producing leaves. But a summer with lots of rain meant a cold and wet season. Vignerons even experienced hail in their vineyards. The result – rot mildew and oidium and ultimately reduced crop. Everyone was lamenting the state of the vintage. Then came the miracle. Autumn brought with it the sun and bright skies. Not only that, windy days were just the thing to dry out the vines and vineyards, bringing a halt to the rot. And with good weather all the way through, the vintage was saved. If vignerons ended up with fewer and smaller grapes, the resulting juice turned out to be quite concentrated. At the end, wines, from the basic Bourgogne right up to the Grand Cru turned out to be quite elegant, with good acids (thanks to the cool temperatures throughout the year) and considerable elegance. Reds were pure whilst whites were delicious.

Red
Ponsot Clos St. Denis ‘Tres veilles vignes’, Grand Cru (in barrel) – Red and black fruit, herbs pepper spice. Developing every few minutes. Beginning with yellow fruit then white fruit then flower petals, then mixed spice. Balanced, silky soft yet every present tannins. Very long.

Dujac, Bonne Mares, Grand Cru – Subtle aromas of florals with rich red fruit, silky tannins, broad and elegant presentation.

Sorine et Fils, Maranges 1er Cru “Clos Roussot” – Red fruits, light yet present acids, and soft as fleece. Delicious.

Georges Chicotot, Nuits St.-Georges 1er Cru “Les Vaucrains” – Red fruits, white pepper, hint of jam and minerals.

Didier-Montchovet, Bourgogne Hautes Côtes de Beaune – Silky soft, full on flavour balanced with a sweet note.

Genot-Boulanger, Pommard 1er Cru, “Clos Blanc” – Red fruits, hint of strawberry, spicy and with tasty acids.

Domaine Romanee Conti, Romanee Conti, Grand Cru (in barrel) – Sweet fruit and spice, yet understated. Big structure with lacy tannins, yet elegant. Long, sensual and unforgettable.

Stephane Brocard, Corton-Renardes, Grand Cru – Intense with lots of layers, spicy and silky with good structure.

Bouchard Aine & Fils, Charmes Chambertin, Grand Cru – Smoky with woody overtones but balanced by fruit; broad in the mouth.

Albert Bichot, Echezeaux, Grand Cru – Perfumed and quite feminine with good structure and a long finish.

White
Henri de Villamont, Chablis Vaudesir Grand Cru – Lots of fruit and balance, complex and complete.

Joseph Drouhin, Chablis Bougros, Grand Cru – Lots of different aromas mingling together – herbs, flowers, nuts and marmalade, lively.

Louis Latour, Corton-Charlemagne, Grand Cru – Minerals, almonds, good structure and ample in the mouth

Rous Pere & Fils Corton-Charlemagne, Grand Cru – Pears, ripe fruit, tasty acids and round.

Seguin Manuel Corton-Charlemagne, Grand Cru – Mineral oil, balanced, luscious in the mouth and long.

Domaine des Perdrix, Nuits-Saint Georges, Blanc, 1er Cru, “Les Terres Blanches”– Brimming with pear, grapefruit and green apples made for a memorable and unexpected white wine from a mostly red wine appellation.

Denis Bouchacourt, Macon-Solutré – White fruits and florals, beautiful mid palate, complete in every sense with a lovely long finish.

Domaine de la Saraziniere, Bourgogne Aligoté – Floral, round lively with a touch of tangy acid and a finish of peach and pear. Very tasty.

Ninot Rully 1er Cru Gresigny – Scintillating acidity yet elegant with citrus white and yellow fruits, a hint of minerals and nuts with a long finish.

Sylvain Pataille, Marsannay – Nose of white flowers, flavours of white fruits, round and sweet, soft effervescent acids, beautifully presented.

The Cellars of DRC

Sake

I always considered Sake as the hot drink with no definite flavour but with a potent punch that left me with scalded lips. As such, I never believed Sake to possess the amplitude of aromas found in grape-based wines.

Then, I visited friends in Beverly Hills who took me to the celebrated Nobu Matsuhisa restaurant where I encountered my first ever, ice-cold sake alongside a foie gras topped off with shitake jus – The wine, fresh and minty, was the perfect foil to the dish. I returned home to find more than a hundred kinds of Sake in the marketplace. Aromatic sakes, floral versions, Sakes with nuances earth, powerful Sakes, delicate Sakes, sweet Sakes, bone-dry sakes and even the rare matured Sake. I quickly discovered that light and dry versions of sake are suited to fish and white meats in delicate sauces whilst the heavier Sakes are perfect for dark meats and heavily sauced dishes, whatever their national origins.

Yet, without the knowledge of Japanese, I was unable to tell which sakes on the shelves are dry, medium or sweet. Fortunately, Lin, who had spent time in Japan came to the rescue and pointed out that the level of sweetness of sake is specified on the label. They are graded from a bone-dry (-4.5)  to a sweet (+15).  In addition serving temperatures are also indicated (5-10 C and 55C).

With Sake, following serving suggestions to the tee is necessary. A sake that is meant to be served cold does not taste very palatable if it is warmed up.  For hot sakes, if steam rises from the sake during the warming process, flavours would be degenerated (In retrospect, I should not have trusted the microwave but instead used gentler heating methods such as a bain marie of hot water).

Sake Savvy

History

Sake making began in Japan during the 3rd Century. All members of a village would gather and chew up in their mouths, rice, chestnuts and millet, which they subsequently expelled into a tub. Saliva converted the starches in the rice mixture into sugar and as soon as the tub was filled, a natural brewing process began. It turned the gooey, mouldy mixture into rice wine called Sake.  If the process sounds unhygienic, take heart that only virgin girls were allowed to finish the brewing as the ‘use’ of Sake in Shinto is considered to be a highly significant aspect of the religious festival. Today, sake is brewed in factories using sterile methods.

Sake types

Like Beaujolais and nouveau wines, Sake is usually bottled and sold the year it is produced, and often consumed within six months. All sake is pasteurized except for ‘Nama’ sake whose delicate constituency demands it is not subjected to heat or oxidation – it spoils easily and should be consumed as soon as it is released. Traditionally, the best sakes are brewed during the coldest days of the year, in winter. ‘Kan-zake’ indicates cold brewed sake whilst ‘Haru-zake’ refers to the spring-season brewed sake.

There are exceptions and various unusual versions of sake – Genshu is undiluted sake with up to 20% alcohol by volume; Kijoshu is port like and Happo sei seishu is a sparkling sake! Milky white ‘cloudy’ nigori is a talking point although aficionados seek out the rare ori cloudy sake. There is also sake made for ageing. The koshu (“old”) sakes are aged in stainless steel from three to seven years; this gives them complex aromas and flavors ranging from soy and nuts to molasses and raisins. Jukuseishu is another term for aged sake. Taru sake is a variation, aged for a shorter time and in cedar or wine casks. There’s also vintage sake. I once tasted a rare vintage 1983 sake that accompanied a steak. It was golden in colour, with bottle bouquet flavours that I had not expected to find in a ‘brewed wine’. I detected soy sauce and mushrooms. The wine reminded me of an aged Riesling-Sherry combination, exhibiting oxidation aromas, an incredible balance of acidity and sweetness, and strong mature wine flavours.

Sake comes in bottle sizes of 160ml, 300ml, 720ml and 1.8 Litres. There is even the tan rei pack, presented in a large milk carton.

Note on The Classifications

Premium: Junmai is made from rice with at least 30 percent husk milled away, and so is Honjozo (premium sake with added alcohol) and Futsu shu (regular sake with added alcohol). Slightly higher grades of sake have the term ‘tokubetsu’ – e.g. Tokubetsu Junmai, or Tokubetsu Honjozo, which indicates more highly polished rice (up to 40%), or the use of very special sake rice.

Super Premium: Junmai Ginjo, and Ginjo (with added alcohol) is made form rice that has at least 40 percent husk milled away.

Ultra Premium: Daiginjo (with added alcohol) and Junmai Daiginjo both have at least 50 percent milled away. Some are made from rice that are 65 percent milled.

Note: There is much overlap within the classifications. A Junmai can be fragrant whilst a Daiginjo could be reserved. Cheap sake has copious amounts of distilled alchohol added to it at the final stages for balance yet a small amount of alcohol added to the final stages of brewing helps to ‘set’ and preserve desirable aromas in ginjo and honjozo sake. The addition of alcohol also inhibits the cultivation of lactic acid bacteria (putrefactive hiochi-kinbacteria), which tends to compromise the flavours of sake.

More on Sake

Fine Sakes are a world apart, just as cheap plonk is different to Grand Cru grape wines. My two favourite high-end Sakes are Isojiman ‘Junmai Daiginjo’ Nakatori 35 (Shizuoka prefecture) and Kokuryu ‘Daiginjo’ Shizuku (Fukui prefecture) – both are a little expensive.

So what makes a sake better or different to another?

Well, Sakes are classified according to how much the rice grain husks are milled and the more the husk is polished away with stone-rollers, the ‘better’ the sake’s grade. Dozens of new yeast strains have also been developed for sake and have been put into use. Each unique yeast strain will give rise to its array of chemical compounds, like esters, alcohols, and acids that affect the nuances of fragrance and flavour.  They have been acknowledged as an important factor for the flavour and especially the aroma of sake. Sake brewers declare water quality as the next differentiating factor that influences the overall taste of the drink. Since ancient times, brewers divined certain pure spring water sources to be the secret to good rice wine – resulting in many of Japan’s best sake prefectures locating their operations near those water sources. Recent findings, based on scientific analysis confirms that, mineral-rich, hard water from springs do make a difference. The resulting sakes have a robust character. These days, with modern filtration and water treatment technology, ideal water is readily available anywhere – and some sake brewers have been known to blend hard and soft waters to achieve the desired balance in their rice wines.

Blind tasting notes of sakes (thanks to Daniel Chia, Lam Chi Mun, David Teo and Hiro who participated)

Rating guide    3 Stars=Outstanding, 2 Stars=Excellent, 1 Star = Good

No

Name of Wine Company /

Sake

Tasting Notes

Prefecture

Rating

Agent / Distributor

1

Whistler

Tosazuru Karakuchi

Honjozo

Kochi prefecture, located on the south coast of Shikoku island is famous for dry styles of sake with a subdued fragrance.

Light florals and hint of rice, dry punchy finish, alcoholic but smooth and clean.

KOCHI

1 ½ stars

2

Whistler

Kuromatsu-Hakushika Yamadanishiki

Honjozo

Hyogo prefecture, of which Kobe is the capital, produces a quarter of all the sakes in Japan. This sake has apple and goma nuances lightly spicy but hot and clean with a vodka like finish.

HYOGO

1 ½ stars

3

Whistler

Momokawa Junmai

Iwate, in the northeastern corner of Honshu is famed for its sake brewing technology – thanks to a businessman in 11678 who introduced sake brewing to locals.

Spice, with mild warm taste, balanced and good for accompanying food.

IWATE

2 stars

4

Whistler

Asabiraki

Junmai

Yellow gold in colour, with barnyard and fish flavours, simple, warm with acidity. Good for grilled food.

IWATE

1 star

5

Whistler

Nanbubijin Tokubetsu Junmai

Aomori prefecture, located on the northern tip of Honshu, is Japan’s as the biggest producer of apples. Light pale yellow in colour. Exuberant with rice flavours mixed with pear, melon and other fruits. Alcohol gives a backdrop of fat richness and savoury warmth.

AOMORI

2 stars.

6

Whistler

Chiyonosono

“Kumamoto Jinriki”

Ginjo

Chiyonosono is located in Yamaga City in the Kumamoto Prefecture of Kyushu island. This prefecture has it own yeast – a vital component for Ginjo sake. Tinge of yellow. Pear, light florals with flavours of wheat, rice and spice chiming in. Fragrant, round, with a dry astringent and acidic finish.

KUMAMOTO

1 ½ stars

7

Makoto-ya

Kiku Masamune Junmai Ginjo

Made from Yamada-Nishiki rice, recognized as the best sake-making rice. It came about in 1923, after Yamada-sui rice was artificially fertilized with pollen from the Tankan-Tosen strain. The rice has larger grains, has more starch, protein and fat. Pear, ginger and sweetcake with citrus and melon. Broad, warm and dry with a minerally taste. Dainty and perfect for sipping despite 16% alcohol.

HYOGO

1 ½ stars.

8

Whistler

Miyasaka “Bessen Kinju” Junmai Ginjo

Made from 80% Miyama Nishiki- and 20% Hitogokochi-rice. Miyama Nishiki rice was developed in this prefecture as Nishiki was too small a grain. The Miyama rice brings an elegance to sakes. Berry bruit, apple, persimmon, yeast, meat and rice aromas. Dry, fresh, with a slightly rough edge but with a round finish. For quaffing.

NAGANO

2 star

9

Whistler

Tedorigawa “Yoshida-kura”

Dai Ginjo

The Ishikawa prefecture is cold (its Noto Peninsula juts out into the Sea of Japan) and perfect for brewing. Best sakes are consumed locally. Over the last four decades, the sake style has shifted from sweet, heavy, full and complex to dry, crisp and fragrant.

This sake has a light yellow tinge. Pungent with florals, pear, apple, rice. Full and balanced with sweetness, develops flavour, complex, and long finish.

ISHIKAWA

2 ½ stars

10

Inter Rice Asia

Obata Shuzo “Manotsuru Daiginjo”

Cold winters, clean water and air, and plenty of rice, and investment in technology is Niigata’s formulae at being one of the favourite sakes in Japan. Gohyakumangoku rice from Niigata, (also from Fukushima, Toyama, and Ishikawa) produces a smooth and clean and dry and slightly fragrant. This sake is warm, round, with rice, peach, florals banana, green vegetables, and a touch of spice and sweetness. It is full and elegant.

NIIGATA

2 stars

11

Whistler

Hakuryu

Dai Ginjo

Niigata’s sakes have been awarded more medals than other prefectures in the last decade. Fruit hints with liquorice, honey, jam, yeast rice, apples, banana, minerals, anis and florals. Smooth, exciting soft yet with grip.

NIIGATA

2 stars.

12

Whistler

Aihara

“Ugo No Tsuki” Dai Ginjyo

Hiroshima’s soft water, low in calcium and magnesium have been cited as a condition for fragrant and soft sakes. This one had a sweet nose, reminiscent of auslese Riesling. Amalgam of apples, melon, florals, and a robust palate with a touch of bitterness. Cool mint style, fragrant and exuberant.

HIROSHIMA

2 ½ stars

13

Whistler

Kokushimuso

Dai Ginjo

The winters are bitterly cold in the middle of the north island of Hokkaido. This sake is slightly sweaty with apple strawberry and yeasty nose, it is warm, round and lightly sweet with some astringency, spice on the finish.

HOKKAIDO

2 stars

14

Inter Rice Asia

Obata Shuzo “Manotsuru Maho” Dai Ginjo

The brewery is located on Sado Island, across from Niigata. Made from the famous Yamadanishiki rice, this has rich aromas with mild cherry brandy overtones. It is full, long warm with astringence and acidity.

NIIGATA

1 ½ stars

15

Whistler

Umenoyado “Bizenocho”

Junmai Dai Ginjo

Nara boasts lots of small breweries but also has a history. In 689, the then-imperial palace in Nara formalized the brewing of sake by establishing a brewing department and a range of sakes were made.

Apple, gooseberry, basket of mixed fruit and rice. Forward acidity, big bodied with spice, vibrant, silky, multi-dimensional – more like grape wine.

NARA

2 ½ stars

16

Whistler

Kitagawa “Tomioh Gin No Tsukasa”

Junmai Dai Ginjo

Thanks to railways (since Kyoto lacked a seaport), Kyoto began producing sake on a large scale in the late 1800’s, and as the 2nd largest producer, Kyoto makes 13 percent of the nation’ sake today. This sake had melon, was fruity, subtle, savoury, was balanced and was soft and light with spice, acidity and warm finish. Panelists were divided on scores here.

KYOTO

2 stars.

17

Makoto-ya

Miyaizumi “Koten Sharaku” Junmai Dai Ginjo

Fukushima is situated next to Niigata and brewers both boutique as well as commercial, make a slightly dry sake with a hint of sweetness. Scent of fresh cooked rice, fruit gym, pandan, banana – complex with mouth-filling flavours, sweet yet dry, lean yet complex with layers, multidimensional, clean lines and multidimensional with a nice tail.

FUKUSHIMA

3 stars

18

Makoto-ya

Tamano Hikari

Junmai Dai Ginjo

Cheese, banana rich and complex but astringent and disjointed – perhaps it’s the hard spring water. Warm finish.

KYOTO

1 ½ stars

19

Whistler

Kitaya “Kansansui” Junmai Dai Ginjo

On the northern part of Kyushu, Fukuoka is sheltered and good for rice growing. Yet not many have heard of the prefecture’s sakes. There are more than 70 breweries in this area. Bubblegum, cherries, white chocolate, pineapple, nashi, dry with back palate sweetness, sharp, and hot, easy drinking.

FUKUOKA

2 stars

20

Makoto-ya

Okuno-matsu Junmai Dai Ginjo

Fukushima prefecture’s sake research institute isolated a special yeast that is responsible for fragrance, lower acid and elegance. This sake, hit high notes with tasters who enjoyed its fragrant rice aromas, forward pear and floral nuances, the lightly sweet yet dry taste, the silky texture, gentle alcoholic finish that was not lacking in acidity either.

FUKUSHIMA

3 stars

21

Inter Rice Asia

Fukugen “Fukumimi” Junmai Daiginjo

The Nagano prefecture in central Honshu is surrounded by high mountains, and ‘Alps’ yeast was developed to bring out fruity, and floral fragrances in the sake. This sake made from Hitogokochi rice showed asparagus, banana, melon, pepper, flowers, melon and rice with a nutty taste. It was warm rich, bold yet delicate with a dry Muscat type taste. Flirty, sweet, yet dry.

NAGANO

2 ½ stars

Grappa

Wines of Italy

GRAPPA – True Appreciation of the Italian Spirit
Like most Italian boys, Vittorio Capovilla adored to his mother. He obediently ate his ration of fruits daily. It was not long till he became so enamoured by the taste of good fruit that he decided to preserve them in bottles – but not in the way you think.

Vittorio proceeded to set up a boutique grappa distillery near Vicenza, in the N-E Veneto region of Italy, to produce distillates of his favourite organic fruits – especially the ones harvested from the wild. That was in the 80’s. Today Vittorio offers grappa enthusiasts more than forty types; junipers, pears, strawberries, cherries, prunes, peaches and more.

What is Grappa?  According to the soft spoken, t-shirted Vittorio, “it is essentially a brandy and in Italy it is obtained from the distillation of grape pomace (a winery’s fermented, pressed skins and seeds that is often discarded) or fruit. The result is a clear tasty fresh spirit.”

I remarked that grappa is fiery alcoholic drink that has the effect of burning one’s gullet to the effect of clearing it of all the cholesterol after fatty meals.

So when Vittorio suggested I dip my finger into a stainless steel canister which contained a colourless fluid, I acquiesced reluctantly. As I brought my finger to my mouth to lick off the liquid, the scent of the ripest sweetest purest perfumed peaches wafted up to my nose. “They are made from Saturno peaches of the Marches,” Vittorio said.  As I sucked off the last drops of the grappa from my finger, he could tell I was hooked.

As Vittorio proceeded to unhinge the covers of a row of canisters, my finger was already poised for further dipping. I tasted a blackberry grappa. I savoured sweet ripe raspberry grappa. I reveled in the scent of grappa made from Mirabelle plums and then I went on to compare the ‘alcoholic essences’ of three types of apples – Fuji, Golden Holz and Annurca. But it was the incredibly perfumed yet natural clean taste of Pear Williams in a grappa that sent me into a fruity rapture.  To my surprise, the thought of a fiery liquid never entered my mind. In taste, Vitorrio’s grappas, were devoid of any aggressivity, despite the alcohol content of around 41%.

Inspired, I began to find out more about Grappa and related drinks.   For that I went to Fratelli Brunello an 1840’s distillery in Montegalda, Vicenza. There I tasted not only a sweet-smooth Grappa but a grape brandy.  I learned that any fermented grape or fruit when distilled becomes grape or fruit brandy. Wine itself can also be distilled into brandy. Often wine brandies are softer and have less alcohol.

My visit to a third Grappa producer took me to Poli. At the Poli Museum of Grappa , I discovered that grappa is a drink that is named after an enchanting village near the foot of the Dolomite Mountains called Bassano del Grappa.

Bassano del Grappa lies at the foot of Monte Grappa (Grappa Mountain), where, according to the legend, many clandestine distillers used to produce Grappa. Traditionally farmers drank grappa to salve their workday aches and also to keep themeselves warm in the evenings as heating was scarce.

The Poli family was among the first to distill grappa in Italy about a century ago. The Polis being straw hat makers had opened an osteria to serve food, wine and also to sell their hats. They later found that the discarded raw material from winemaking could be used to make grappa.

These days, Poli makes not only traditional grappa and aged grappa but also that of Luce and Sassicaia, two renowned wines of Tuscany named respectively after and made using the spent or fermented out grape skins. It was the Luce grappa that came across as smooth as silk that changed my mind forever that grappa is an aggressive unrefined drink.

If you have been turned on by grappa, you will no doubt, like me, discover that grappa can be had from the regions of the Piedmont, the Veneto, Umbria, Trentino, Fruili and Tuscany. Even if not, many grappa bottles are works of art. At VinItaly, the Grappa di Pinot Grigio of Distilleria Schiavo caught my eye. Each unique bottle is mouth blown by the Venetian maestro, Gandini. Miniature glass sculptures of multicoloured fish, jellyfish and more appear to be swimming in the grappa bottle!

•    Poli Museo (museum) Della Grappa at via ganba 6, Bassano del Grappa (tel/fax +39 0424 524 426 or 0444 665 007)
•    Distilleria F.lli Brunello Via Roi, 33– Montegalda; Tel. 0444.737253
•    Vittorio Capovilla at via Giardini 12, Ca Dolfin Rosa (about 30 minutes on the road from Vicenza) but call first for an appointment (+39 0424 581222).

Factsheet : Grappa
The main Grappa-production regions have their own names for the eau-de-vie. In Piedmont it is called branda, in Veneto it is referred to as sgnapa, you ask for cadevida in Trentino and in Friuli and Lombardia it is known as grappa.  Like in wine, each region offers a different style of Grappa, although by law grappa is made from grape pomace (skins, pips and stalks left after the production of wine). Aromatic grappa is distinguished from the original version in that the aromatic ones are those where fruits or herbs macerated directly in the grappa infuse additional flavours to it.

Distillation is the separation of liquids by evaporation extracts alcohol and aromatic substances from the pomace. Some volatile substances (the head) and other impurities (the tail) are discarded and what remains is the ‘heart’ – pure unadulterated eau-de-vie. Various systems (double boiler, bain marie, steam stills, continuous distillation and discontinuous distillation) are used but it is the discontinuous process, time consuming (freshest pomace is used) and expensive (a lot of the pungent and aggressive ‘head’ as well as the fat and oily ‘tail’ is cut out) results in the finest grappa.

Often mono-varietal grappa is made from a specific grape variety such as Moscato, Riesling, Sauvignon, Malvasia, Nebbiolo, Muscat, Aglianico and Cabernet. Some good producers include Alexander, Banfi, Bocchino, Capezzana, Caparzo Ceretto, Chiarlo, Gaja, Lungarotti, Mastroberardino, Masottina, Nonino and Ruffino.

How to savour Grappa
Grapppa is best enjoyed cool at between 9-13 degrees Centigrade in a tiny glass. There is a different approach to tasting grappa when compared to wine. You place your nose at the front, rather than at the back rim of glass. That way you do not sniff in the mucous membrane-burning alcohol but instead you get a good whiff of the aromas. Then you take a bit of grappa in your mouth and let it roll off your tongue. You will be surprised that you never get in the mouth, the ‘fire hot’ sensation that puts most first-time drinkers off the drink.

Grappa Types
Grappa labels usually indicate the geographic appellation, the grape variety, and the type of alembic still used in its production. Grappa varieties can be classified in the following manner:

•    Grappa giovane (young grappa), with aromas of the grape variety and fermentation.
•    Grappa affinata in legno (grappa matured in wooden barrels).
•    Grappa invecchiata (aged grappa), matured for at least 12 months in wooden barrels.
•    Grappa riserva or stravecchia, matured for at least 18 months in wooden barrels.
•    Grappa aromatizzata, or grappa to which vegetable and fruit (apple, pears, blueberry, etc.) have been added or used in the distillation. However aromatic Grappas include those made from aromatic or semi-aromatic grapes such as Moscato, Muller Thurgau, Traminer, Sauvignon, etc.

Grappa Culture
In Italy, grappa is primarily served as a “digestivo” or after-dinner drink – to aid digestion. Yet incorporating grappa into the daily coffee ritual adds a spark to the café. For instance, ‘caffè corretto’ meaning ‘corrected coffee’, features coffee dosed with grappa whilst a variation is ‘ammazza caffè’. Meaning ‘coffee-killer’ it is a term that describes the ritual – espresso is consumed then chased down by a glass of grappa.  In Veneto, a cup of espresso sweetened expresso is downed, then grappa are poured into the cup and swirled with whatever remnants of coffee and then, and tossed down in one go.